Hello,
Composer Friedrich Silcher
This 80fn stamp on the song opern, which is composer Friedrich Silcher which works song opern?
thank
Composer Friedrich Silcher
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This stamp shows the famous song "Loreley"!
Ich weiß nicht, was soll es bedeuten,
daß ich so traurig bin;
ein Märchen aus alten Zeiten,
das kommt mir nicht aus dem Sinn.
Die Luft ist kühl, und es dunkelt,
und ruhig fließt der Rhein,
der Gipfel des Berges funkelt
im Abendsonnenschein.Die schönste Jungfrau sitzet
dort oben wunderbar;
ihr gold'nes Geschmeide blitzet,
sie kämmt ihr gold'nes Haar;
sie kämmt es mit goldenem Kamme
und singt ein Lied dabei,
das hat eine wundersame,
gewaltige Melodei.Den Schiffer im kleinen Schiffe
ergreift es mit wildem Weh,
er sieht nicht die Felsenriffe,
er schaut nur hinauf in die Höh'.
Ich glaube, die Wellen verschlingen
am Ende Schiffer und Kahn,
und das hat mit ihrem Singen
die Lorelei getan.Best Regards
mx5schmidt -
Its about a very nice women who wanted to marry, but the man took at the day of the marriage an other women. She waited all the time for the man but he didn't come. While she waited, she sat on a giant cliff and made her hair. When she realised that the man wouldn't come any more, she jumped off the cliff into the rhine.
The legend tells that she sits there in some nights and waits for her husband. And the boatdrivers, who saw her, got killed because at this place the rhine is very dangerous. There is a reef or dtones under it and so the boatman got killed because they didn't ship aroumd it and drunk.
So she makes a revenge for her husband.
I hope I could help you.
Best regards and merry christmas
Tobias -
ZitatAlles anzeigen
Original von mx5schmidt
This stamp shows the famous song "Loreley"!Ich weiß nicht, was soll es bedeuten,
daß ich so traurig bin;
ein Märchen aus alten Zeiten,
das kommt mir nicht aus dem Sinn.
Die Luft ist kühl, und es dunkelt,
und ruhig fließt der Rhein,
der Gipfel des Berges funkelt
im Abendsonnenschein.Die schönste Jungfrau sitzet
dort oben wunderbar;
ihr gold'nes Geschmeide blitzet,
sie kämmt ihr gold'nes Haar;
sie kämmt es mit goldenem Kamme
und singt ein Lied dabei,
das hat eine wundersame,
gewaltige Melodei.Den Schiffer im kleinen Schiffe
ergreift es mit wildem Weh,
er sieht nicht die Felsenriffe,
er schaut nur hinauf in die Höh'.
Ich glaube, die Wellen verschlingen
am Ende Schiffer und Kahn,
und das hat mit ihrem Singen
die Lorelei getan.Best Regards
mx5schmidt
In 1823 Heinrich Heine, is Heinrich Heine (Heinrich Heine) poetry,
Thank you -
ZitatAlles anzeigen
Original von Kommandante
Its about a very nice women who wanted to marry, but the man took at the day of the marriage an other women. She waited all the time for the man but he didn't come. While she waited, she sat on a giant cliff and made her hair. When she realised that the man wouldn't come any more, she jumped off the cliff into the rhine.
The legend tells that she sits there in some nights and waits for her husband. And the boatdrivers, who saw her, got killed because at this place the rhine is very dangerous. There is a reef or dtones under it and so the boatman got killed because they didn't ship aroumd it and drunk.
So she makes a revenge for her husband.
I hope I could help you.
Best regards and merry christmas
TobiasIn 1823 Heinrich Heine, is Heinrich Heine (Heinrich Heine) poetry,
Thank you -
The rock and the murmur it creates have inspired various tales. An old legend envisioned dwarfs living in caves in the rock.
In 1801, German author Clemens Brentano composed his ballad Zu Bacharach am Rheine as part of a fragmentary continuation of his novel Godwi oder Das steinerne Bild der Mutter. It first told the story of an enchanting female associated with the rock. In the poem, the beautiful Lore Lay, betrayed by her sweetheart, is accused of bewitching men and causing their death. Rather than sentence her to death, the bishop consigns her to a nunnery. On the way thereto, accompanied by three knights, she comes to the Lorelei rock. She asks permission to climb it and view the Rhine once again. She does so and thinking that she sees her love in the Rhine, falls to her death; the rock still retained an echo of her name afterwards. Brentano had taken inspiration from Ovid and the Echo myth.
In 1824, Heinrich Heine seized on and adapted Brentano's theme in one of his most famous poems, "Die Lorelei". It describes the eponymous female as a sort of siren who, sitting on the cliff above the Rhine and combing her golden hair, unwittingly distracted shipmen with her beauty and song, causing them to crash on the rocks. In 1837 Heine's lyrics were set to music by Friedrich Silcher in the art song "Lorelei" that became well known in German-speaking lands. A setting by Franz Liszt was also favored and over a score of other musicians have set the poem to music.
The Lorelei character, although originally imagined by Brentano, passed into German popular culture in the form described in the Heine–Silcher song and is commonly but mistakenly believed to have originated in an old folk tale. The French writer Guillaume Apollinaire took up the theme again in his poem "La Loreley", from the collection Alcools which is later cited in Symphony No. 14 (3rd movement) of Dmitri Shostakovich.
see here:
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ZitatAlles anzeigen
Original von hallerc4
The rock and the murmur it creates have inspired various tales. An old legend envisioned dwarfs living in caves in the rock.In 1801, German author Clemens Brentano composed his ballad Zu Bacharach am Rheine as part of a fragmentary continuation of his novel Godwi oder Das steinerne Bild der Mutter. It first told the story of an enchanting female associated with the rock. In the poem, the beautiful Lore Lay, betrayed by her sweetheart, is accused of bewitching men and causing their death. Rather than sentence her to death, the bishop consigns her to a nunnery. On the way thereto, accompanied by three knights, she comes to the Lorelei rock. She asks permission to climb it and view the Rhine once again. She does so and thinking that she sees her love in the Rhine, falls to her death; the rock still retained an echo of her name afterwards. Brentano had taken inspiration from Ovid and the Echo myth.
In 1824, Heinrich Heine seized on and adapted Brentano's theme in one of his most famous poems, "Die Lorelei". It describes the eponymous female as a sort of siren who, sitting on the cliff above the Rhine and combing her golden hair, unwittingly distracted shipmen with her beauty and song, causing them to crash on the rocks. In 1837 Heine's lyrics were set to music by Friedrich Silcher in the art song "Lorelei" that became well known in German-speaking lands. A setting by Franz Liszt was also favored and over a score of other musicians have set the poem to music.
The Lorelei character, although originally imagined by Brentano, passed into German popular culture in the form described in the Heine–Silcher song and is commonly but mistakenly believed to have originated in an old folk tale. The French writer Guillaume Apollinaire took up the theme again in his poem "La Loreley", from the collection Alcools which is later cited in Symphony No. 14 (3rd movement) of Dmitri Shostakovich.
see here:
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